Anne Guro Larsmon
By day its appaerence is uninteresting, then night came with its thick darkness, Installation shot, 2013
RIDE (Freeway signs I-III), 2013.
Welded steel.
I, 159 cm x 87 cm x 40 cm.
II, 308 cm x 107 cm.
III, 305 cm x 93 cm x 46 cm.
Untitled (Natural Daylight full spectrum fluorescent tubes), 2013
Anne Guro Larsmon
The Floral clock (Constant night I-III), 2013.
Glass tulips on black background. 192 cm x 62 cm.
I, 4 PM March 9th
II, 1PM March 16th
III 3PM March 16th
Anne Guro Larsmon
Untitled (Sunblind I), 2013.
Fiberglass and clear resin.
112 cm x 72 cm.
Anne Guro Larsmon
Untitled (Retracing Darwin, The power of plant movements 1880), 2013. Ink on paper.
12 in x 17 in.
Anne Guro Larsmon
By day its appaerence is uninteresting, then night came with its thick darkness, Installation shot, 2013
Francis Alÿs
Sometimes Making Something Leads to Nothing
Mexico City 1997, 4:59 min. www.francisalys.com
Simon Starling
Shedboatshed (Mobile Architecture no. 2), 2005
At first sight, Simon Starling’s Shedboatshed (Mobile Architecture no. 2) appears to be a readymade. It’s an old shed. It looks a bit the worse for wear, but age will do that to a shed. Things aren’t quite a simple as they appear though and the first clue’s in the title.
Shedboatshed is a shed. Shedboatshed started out as a shed. But it hasn’t always been a shed. Starling turned an old shed, which he’d found in the banks of the Rhine, into a boat which he then used to get to Basel, carrying the unused parts of the shed in the boat. On arrival, the shed was reassembled and exhibited in the Kunstmuseum Basel and later that year in Tate Britain as part of the Turner Prize exhibition, which Starling won.
Snorri Asmundsson
Letter of Indulgence 21 OCT 2008 “Letter of Indulgence – absolutions of sins” For sale Printed matter. Sold in various places on various occasions, advertised in magazines and newspapers. The artist promised people place in heaven for fair price.
Hannes Van Severen
Adrien Missika
